Sunday, 21 July 2013

Kpop Reviews nr4 B2ST - SHADOW

 KPOP REVIEWS Nr4




                                          


A joyous time for all B2ST fans out there, and for kpop fans in general. Another song has been released and added to the "kpop library". It's been quite a busy summer, with so many bands releasing their songs, and it's not over yet. So far so good!
B2ST has, once again, proved what it means to be both talented and professional.
The waiting time for their song was filled with excitement and anticipation and it's a wonderful thing that it wasn't all for naught. 


MUSIC
The music for this song was composed by Kim Tae Ju and Yong Jun Hyung. The participation of Jun Hyung in the creation of this song is a very admirable thing in itself, thus rising the quality of the band altogether by giving them more credit in being fully fledged artists.
The beat is a pop song beat, simple, not too fast, nor too slow, good enough to be used as a dance song yet, at the same time, very well fitted for conveying the lyrics at a pace reasonable enough for the listener to understand what they're hearing.
The music keeps that B2ST specific sound that lets the listener know who they're listening too yet has a fresh feel to it, not becoming boring and without the fear of becoming a repetitive sound with nothing new to offer. 
What is to be really appreciated is the lack (as much as there can possibly be...) of auto-tune. All of B2ST's members have great voices and are capable of delivering an honest, clean singing voice. 
Another element that was present in the song was the dub-step beat that seems to have conquered so many of today's songs (not only Kpop). It's not a bad thing, it's not something that was bothering or to be frowned upon and, in B2ST's Shadow case, it was beautifully used and very well fitted into the song, not distracting from the flow of the music yet keeping its intentions clean and clear. Dub-step beats and sounds seem to have come to Kpop and now an overwhelming quantity of songs are using them whether necessary or not. Luckily, in B2ST's case, it was wonderfully arranged so that it would make the listener want more of it.
The combination between the rough sounds of dub-step, electric beats and the clean musical line is wonderfully arranged making Shadow a song that can be sang by anyone who wishes to do so, at the same time being a song that anyone can dance to.
The vocal line is almost equally distributed among the six members who fit their voices to make a whole, each singing their part wonderfully and displaying their talent and evolved technique. Yo Seob's mild and soft voice combined with Jun Hyung's raspy/husky, deep and a bit nasal voice is always an interesting combination, being very pleasant to the listener's ear. It was very much appreciated that Du Jun had a little more to sing this time, his voice and interpretation being always very welcomed. What was a little disappointing was the little screen time Dong Woon and Gi Kwang had in this song. Both very talented and with having so much to show, theirs would've been a much appreciated appearance. Gi Kwang is, for some reason, always put to show less than what he can offer and Dong Woon is, probably, considered, by being the youngest of the group, to still have a lot to learn. Gi Kwang's husky but light, boyish voice has so much potential that it's upsetting to see it being used to little. He has many colors in his voice and has shown, through time, that he can express many feelings and emotions with his singing. Dong Woon has a clean deep and strong tenor voice and his high notes are very well positioned and delivered showing that he is able to cover any given octave he is given to sing.
The chorus line "because I'm shadow, shadow, shadow" is the connecter between the music line and the music video, bringing in Renaissance voice harmonies that fit the baroque decorum and giving the needed "darkness" of the song. Jun Hyung's rap parts are, combined with the dub-step beats, without a doubt the backbone of the song, delivering the much needed sobriety with a twist of danger and fright. And, just when the viewer is almost scared enough, Yo Seob's voice comes to the rescue, bringing in a ray of light.
There's a full rounded sound of the beat that is heard throughout the song, giving it depth and securing the quality of the music altogether.
Very well made song, great to listen to, catchy and of great quality.

DANCE
The dancing in this MV consists of two parts, one being the two dancers and the other being B2ST with their own dance moves (the male dancer resembles Dong Woon a little...still a mystery as to who it is).
The two dancers are simply wonderful to look at and their interpretation flawless. The body painted man is a very good addition to the MV and the whole idea of the song, being the incarnation (if that is even possible) of the shadow that overcomes the woman (in the end). 
It would've been nice if there weren't so many fast cuts and if the viewer could understand more of what they're seeing; the many cuts not doing any sort of justice to the MV and the dance itself.
B2ST's dance was a bit too short to be fully appreciated, even more so since B2ST is one of the best dancing groups in Kpop and have one of the best choreographers (Prepix Haw). B2ST got us used to awesome dances every time and it was a bit sad to see so little of their dance in this MV but, even the little it was shown, it was flawlessly delivered and very well put together and interpreted.  

IMAGE, FASHION, STYLE
The image B2ST is going for in this MV is a bit on the scary side; dark, sober, with very few bright colors such as white, silver shaded greys and Gi Kwang's red hair. From their clothes to the accessories they're using, all stands to bring out the shadow in every movement and intention. A very well chosen image for the message they're trying to convey. It is in no way contrasting with the lyrics or the whole idea of the song. 
The fashion in this MV is a much cleaner and somehow docile than what could've been, given the message and the context. 
B2ST is dressed is black and white with some accessories here and there. They each, except Du Jun, have a claw (?) like shaped earring. The clothes don't go overboard, do not become the main attraction of the visual content, but stand to support the whole concept of the song. The boys are dresses quite simple, pants and shirts. Of course, there are the usual Kpop quirks here and there, like Gi Kwang's star filled shoulders over the knitted sweater, Du Jun's glittery patterned jacket, Hyun Seung's black with silver patterns sleeve on the white shirt and a few more...but nothing is on the "too much side", all is done within reason and decency with good taste, serving the message of the whole song.
The style B2ST takes one in Shadow is a dark, mature, metal rock making them cold, unapproachable, distant. The vests some of them wear bring the mature and somehow sensible and serious feel into equation. The style they took on doesn't go anywhere near the dark, gothic feeling of the rest of the song, balancing it out and making it easier for the viewer to like and relate to the song.


















  


 



LYRICS
The lyrics tell the story of a breakup and the feelings that linger after, the regret and sorrow, the desire to get back together and the need of being with the loved one. Being now alone, he (generic name) is left feeling lost without knowing who or what he is (he know what he's not - a vampire or a night ghost). He wants to go back to the "dazzling times" when they were still together, when all was light and joy. Forgetting about them as a couple is like erasing his entire existence, the painful breakup becoming too much for him to handle. Probably unable to understand why they broke up, he feels empty, without depth, like a shadow. Being a shadow has another meaning too, as it is, also, revealed later in the song. A shadow is an area that is not or is only partially irradiated or illuminated because of the interception of radiation by an opaque object between the area and the source of radiation or, to be more at tune with the message of this song - an imperfect imitation or copy. He, being her copy, would most definitely become close to nothing after she is gone. He could only become an imperfect shadow of something else, something that is not her and that would not soothe his soul.
The lyrics are a very nice and poetical approach to saying sorry and regretting a breakup - wishing for the good days back, wanting to feel, once again, joyful and thankful for having her in his life. 
There is a bit of a paradox in the lyrics with "I wait for you to be together again, Cause I'm a shadow shadow shadow" - technically, a shadow cannot exist without the presence of an object from which the shadow is cast upon another surface in the presence of light...If it were to be analyzed in a more or less philosophical manner (and not technical or factual), this part is quite desperately romantic showing just how much he misses her and how lost he feels now that they are no longer together and how close he is to becoming nothing if she is not around.
The English used in this song is moderately sprinkled throughout the song not becoming too obvious, not bothering too much. There aren't many mistakes and even those that are made aren't that upsetting. The absence of the noun "a" is frequent when "I'm shadow" is sang but could pass as "being said too fast thus making it seems as not heard". Jun Hyung's "lainy" instead or "rainy" is easily forgivable since he only says it once and moves on to other English words that he pronounces quite well and manages to bring out a clean interpretation. For the English used in this song, B2ST gets a 4.5 out of 5. They did good, could've done better.
A huge THANK YOU! to all the translators out there that took the time to translate these lyrics).

MUSIC VIDEO
The MV of this song is Lee Gi Baek - Tigercave ( http://www.tiger-cave.com/ ). Being familiar with some of Tigercave's work, I can't help but feel satisfied with their work on Shadow as well. The concept they went for is a dark one, the colors used ranging from pitch-black to pearly, soft white and a lot of blue-ish grey that would put emphasis on the coldness and sadness of the lyrics.
The camera filters and the editing of the MV made the contours of almost everything come out as white with a small overlaying of dark grey aura. A great detail that would make what seems dark, even darker.
The story of the MV isn't very clear but could be interpreted (and most probably is) as a metaphor for the lyrics. But, in this case, the main character and the person whose thoughts are translated into lyrics is a girl who finds herself alone (or so she thinks) in an abandoned mansion or castle (she never meets with the B2ST members). She wonders from here to there, the viewer being able to see, when she passes by a mirror that her reflection is different from how she looks. If she is wearing a white dress, the image in the mirror shows a woman in a black dress, if she has a rather scared expression on her face, the image in the mirror stares intensely. At some point the two (the woman and her reflection) meet and the reflection is all painted, dark and has a very confident look on her face, while the woman in the white dress is surprised and insecure. 
The male dancer represents the darkness, the shadow that allures the woman into his arms transforming her into the same thing he is. She ends up giving in to the dark powers of the shadow (she herself becoming one).
The snake, the skull and the tarantula could be considered the signs of the darkness, the evil that has put a hold onto the woman as she became a shadow or could signify the darkness, the giving up all hope of light, of good that translate into the lyrics message.
The city in ruins could signify the emptiness one feels after a breakup - expressed in the lyrics. Also, the small dust particles floating around make one think of an after war image, that could be considered the war one has to have with oneself after a breakup.

All in all, Shadow is a really good song with an MV to match and should be watched by most if not all kpop (and not only kpop) fans out there.

Thank you for reading! Comments are much appreciated.
If you have a song, movie or anything, for that matter, that you'd want me to review leave a message below, send me a tweet or a comment on pinterest.

Have a great day! 

  

Thursday, 18 July 2013

Kpop Reviews nr3 B.A.P - Hurricane


Kpop Reviews nr3
                  
                                            B.A.P - HURRICANE


Not only did B.A.P deliveredby as they promised, but they delivered good. The second song they prepared for us this summer is Hurricane, an electro beat, fast up tempo with strong vocals to back it and wrap it up. It's completely different from their previous release Coffee Shop (if you haven't read the review, you can do so here).
While Coffee Shop was a slow paced jazzy bluesy ensemble where the voices melted perfectly with the song and the music video creating a perfect harmony and bringing calm and relaxation, Hurricane is a total different story. It stands not only to bring a strong desire to dance but also to show how versatile (once again) B.A.P can be.

MUSIC
The music of this song is composed by Jeon Daun, Marco and Bang Yong Guk. The highlight of this song is the electro-clubbing-dance beat that is somewhat new to B.A.P. Even so, they manage to assume this new "identity" as well and deliver a powerful song with a beat that makes one want to get up and dance. What seems a little bit off is the combination between Daehyun's strong, dramatic yet warm and clear voice with the rest of the song. On the other hand, this same mismatch is one of the things that puts this song on the radar. Daehyun's voice is quite adaptable and it seems it was intentional that he would use a strong voice for this song. Otherwise it would've been just another clubbing song like many of the other Kpop bands' we've heard over the years. The voice harmonies and instrumentals remind me of One Shot and Fight for Freedom (amongst other songs). The whistle is back (I love that little element that is specific to B.A.P) but it's in total sync with the song, blending in perfectly.
What I particularly liked were Young Jae's parts. Even though his parts weren't made to stand out, he so flawlessly performed that I couldn't help but admire him and wish he had more to sing. He gave a soft yet convincing performance. His voice seems to blend in perfectly with the song thus making him the perfect fit for the harmony, the beats the the whole general idea of this song. 
Young Jae and Dae Hyun's intertwined parts are a small reminder of the jazzy feeling B.A.P brought in Coffee Shop. Although short, it is noticeable and very well put together.
All the others were great too. Yong Guk is just great as always, his rap parts are very well adjusted to the song, not standing out or disrupting the flow of the music.
Zelo, once again (if that's possible) makes me stare in awe at his amazing talent for both rapping and dancing. Don't get me wrong, I sort of got used to Zelo being amazing...but every time is like a new discovery.
Jong Up is, again, one of the best young dancers I've seen in Kpop and is starting to be noticed as a singer too (getting a little more to sing each time).

DANCE
There isn't a specific themed dance in this song, B.A.P showing us their "clubbin' " dance as the song goes along. Zelo and Jong Up stand out from the crowd since they are the best dancers of the group. They both have really great dance moves and all of the members are let free to show off their dancing skills as they please. Would've been nice if the camera didn't move so much during their dance so that the viewer could catch a (better) glimpse of B.A.P's dancing. This was distracting and annoying to the point of having to press pause and watch the scene in stop motion (and not only once). But, as B.A.P got us used with, their dancing is, as always, amazing and top notch.

IMAGE, FASHION, STYLE
Kpop fashion is back and now conquering USA. 
If in their last MV, B.A.P had amazingly normal and very well chosen attire, in Hurricane it all goes back to kpop fashion. 
The image they go for is a flashy one that wants (and succeeds) to stand out. Their golden clothes match the very flashy, sparkly, glittery (and so on) background of Las Vegas. Since the Hurricane title refers to B.A.P sweeping everyone off their feet with their music and style, their image is well suited and points out quite well how the boys "shine" managing to stand out even in Las Vegas.
The black and white suits are a great choice for all of B.A.P, giving them a classy, mature (and a bit mafia? like) image while the casual black and white attires are still in kpop fashion range with Zelo and Dae Hyun's set of clothes; the other members looking entirely normal and possible to meet on the street (taking the viewer to think that these are the boys that one could meet today on the street and tomorrow admire on the stage...)
Fashion wise B.A.P's  shows three sets of costumes, the golden ones, the white and black suits and the casual black and white attires. 
The golden suits are a bit too much on the shiny, over the top side but somehow B.A.P manages to look good in each and every one of them. If, at first, the appearance of the golden suits is a bit overwhelming, in time the eye gets used to the light and can see past the sparkling of it all. All the members look great in all of the three sets of attires, including the golden ones. Even Him Chan's way to loose pants don't seem to be as bothersome once the viewer is accustomed to the golden costumes and, since the images are succeeded in a very fast pace, the viewer doesn't have enough time to analyze all the details.
But, there's always the pause button. And here come in the details. 
There's too much gold on gold with gold over gold...and some pearl or nacre (on Young Jae's pants). Why was there a need to put a golden necklace with a huge golden-pearly stone over Young Jae's golden shirt? And Yong Up as well? The bracelets are ok, they're not as invasive as would seem at a first thought, but the necklaces?!?  Less is more or, quoting from a famous movie "A little moderation might suit you better".
What tones down a little the shining of it all is the smart choice of all the other accessories to be white. From shoes to t-shirts and blouses and even Jong Up's baseball cap (noting that he is the only one to have black pants with the golden attire).
The white and black suits are a very nice touch that takes it down a notch and lets the viewer focus more on the members' faces and actions. There's no escape from Kpop fashion here either since the members all seem to belong to some mafia group because of the huge necklaces they have over the suits. Him Chan seems to be the boss of the group since he has the most necklaces hanged (?) on him and ring on his finger. Why was that necessary?... Could've been so much better without. The only one that has no accessories while wearing the white and black suit is Yong Guk (except the earrings).
The casual black and white clothes are simple and Young Jae's attire made me remember their look on the Crash repackaged album.






  

Other details that weren't appealing at all were Him Chan's split hairdo and Zelo's curls. No need...no need. No. Simply, no. Why did they do that to Zelo? He grew up, he's tall, handsome and has nice hair, why shame him with such an unfit hairdo?!? Just...NO! 
The style that B.A.P chose to go for this time is both a powerful one and also a casual, affordable one. With the golden set of clothes and the black and white suits they ooze powerful images, impressive and confident attitudes while the casual black and white clothes show strength and versatility. 

























LYRICS
The lyrics, this time, talk about B.A.P swiping the world with their songs and holding it the palm of their hands, becoming the leaders and bringing in a new taste of music all while remaining humble and avoiding the tight leashes that the main stream music holds.
All is good and the message they are sending is great, showing how determined they are in achieving their goals. 
Nothing wrong with that message, even more so since there are so many (too many) kpop bands out there that sing mostly about themselves (to the point of becoming boring).
ENGLISH - Well, this time, the English in this song is quite often encountered and, unfortunately, not well used at all.
For example, Him Chan. Him Chan is, this time around, disappointing. How hard would it have been to get a vocal/language coach to teach him say ROOF correctly? It's really upsetting to hear "the loof is on fayah" in the middle of the song, taking away any shred of seriousness and indulging into mean snickering while being unable to concentrate on the rest of the song. I am a strong advocate for Him Chan's "getting to sing more" plea, but this time...no...not this time...It was really lucky that it was a one time thing (even though he repeats it twice thus saying "loof" six times) that didn't reappear anywhere else in the song(maybe it was "the Louvre is on fire"?). As an international fan of B.A.P and a fluent English speaker I can't help but ask, why didn't they think of the fact that there are people who know and speak English and that mispronouncing so upfront badly (everyone knows the everlasting pronunciation problem most Asian people have with confusing L and R - or not being able to pronounce R at all - but that's a different matter altogether) would be a huge chance of ridiculing and belittling what could've been another great song? (poor Him Chan...I feel bad for him and I don't blame him in the least)
Then there's (also Him Chan's part...why him?) "I wanna baby, I wanna baby". What does he want exactly, a baby? This part can be interpreted in more than one way, for example "I want a baby", "I wanna, baby...", "I want it, baby.." - thus leaving the listener in suspense and I'm sure we can come up with more.
Dae Hyun's "we hurricane" has no meaning...it's either "we're hurricanes" or "we're a hurricane". I don't think the word "hurricane" can be used as a verb ("I hurricaned that man's car out of my parking lot...or something like it). 
Yong Guk's "I guess I gotta feeling" is weird but it can be passed as ok among all the other mistakes that are made in this song. (correct would be "I've got a feeling" but...never-mind).A huge THANK YOU! to all the translators out there that took the time to translate these lyrics). I can only give them a 1 out of 5 for their use of English in this song.

MUSIC VIDEO
Again, B.A.P's MV proves to be made by professionals. From the colors dominant in this MV to the clothes and some of the settings in which B.A.P sang it came together as a reasonable MV with not to much to comment about it.
The choice of Las Vegas is understandable since it's in USA (the land of all possibilities) and one of the brightest cities at night, a good point to start conquering the world.
The color palette was primarily formed out of bright yellows, gold, white but also some dark blues and blacks here and there, all serving to support the lyrics and the message of the song. The sites chosen such as night time streets, broad daylight desert sands, hotel rooms and hotel pools were nice and not bothering, becoming a fitting background for B.A.P to unleash themselves and give their best. If there was to be a story to be told, it might be one such as B.A.P coming with nothing from desert lands and becoming so famous, rich and powerful that they can afford gold jewelery and expensive hotels (makes a little bit of sense now, if put like this).  

All in all, B.A.P's Hurricane is a really good song with a strong vibe that creates an immediate desire to dance. It's a catchy song that will surely be heard in clubs and dance parties. Keep it up B.A.P!

Thank you for reading! Comments are much appreciated.
If you have a song, movie or anything for that matter that you'd want me to review leave a message below, send me a tweet or a comment on pinterest.

Have a great day!